Name the skill. Then name a new subject.

Use the interactive-focus-lab skill.
Subject: a camera lens on an optical bench, at night.
Diorama: a neon sign close, a parked car in the middle, a tower far away.
Apertures: f/2, f/5.6, and f/16. Include an exploded view and named textbook values.

Use the interactive-focus-lab skill.
Subject: a compound microscope over a drop of pond water, in daylight.
Diorama inside the drop: a strand of algae close, a water flea in the middle, a grain of silt far.
Show the condenser iris at three openings. A dirty objective veils the silt. A cleaned objective makes it sharp.
Exploded view: eyepiece, objective, stage, mirror. Name the magnification of each objective from a real student microscope.

Use the interactive-focus-lab skill.
Subject: a small refracting telescope on a rooftop at night.
Diorama in the sky: a moon crater close, Saturn in the middle, a radio mast on the horizon far.
The drag control is the drawtube. Show chromatic fringe at the moon's edge, and a filter that removes it.
Exploded view: objective lens, drawtube, eyepiece. Use published focal lengths and name them.

Use the painted-lyric-video skill.
Subject: a 2.5 minute work song about a night baker.
Characters: the baker, a cat on the bench, a cyclist with a delivery crate.
Story: the bread rises, the cat sits in the flour, the cyclist arrives as the sun does.
Compose the music in code. No sung vocal. Keep it quick and warm.

Use the painted-lyric-video skill.
Subject: a 2.5 minute dirge for a sunken submarine.
Characters: a captain, a gauge that will not stop dripping, a paper boat.
Story: the boat descends, the lights go out one by one, the paper boat is still on the surface.
Compose the music in code as a slow march. No sung vocal. No cute animals.

Use the painted-lyric-video skill.
Subject: a 2.5 minute bragging chant for a roller derby team.
Characters: a jammer, a referee with a whistle, a helmet that will not stay on.
Story: the jam starts, the helmet flies into the crowd, the jammer takes the last point.
Compose the music in code. Fast, loud, stomps and a whistle. No sung vocal.

Use the coded-pattern-film skill.
Subject: how a city goes to sleep.
Linking character: a small yellow window.
Scenes: traffic lights phasing, pigeons turning as one flock, steam from a grate, subway lines growing like roots, dawn on a water tower.
Score for piano and upright bass. Listen before you finish.

Use the coded-pattern-film skill.
Subject: how a hive chooses a new home.
Linking character: one bee.
Scenes: the waggle dance as a geometric path, hex cells filling, workers fanning a hot brood, a swarm lifting off, scouts landing on one branch.
Score for violin and woodblock. Listen before you finish.

Use the coded-pattern-film skill.
Subject: a flash flood in a dry wash.
Linking character: a tin cup left on a rock.
Scenes: cracked earth as polygons, the first drops, channels braiding, a wall of brown water, the cup still on the rock after.
Score for frame drum and low cello. Listen before you finish.

Use the one-prompt-title-sequence skill.
Title: NORTH ATLANTIC.

Use the one-prompt-title-sequence skill.
Title: KITCHEN, 4 A.M.

Use the one-prompt-title-sequence skill.
Title: THE LAST COURT OF THE MUSHROOM KING.

Use the browser-soulslike skill.
Subject: a flooded subway.
The player carries a signal lamp and a short sword.
Areas: the mezzanine, the drowned platform, the service tunnel.
Rest at ticket booths. Walk into each area and confirm the name banner.

Use the browser-soulslike skill.
Subject: a radio telescope sunk in a coral lagoon, noon light through clear water.
The player is a diver in a canvas suit with a knife.
Areas: the dish rim, the control hut, the cable trench.
Rest at generator sheds. Enemies are things that moved into the dish, not knights.
Walk into each area and confirm the name banner.

Use the browser-soulslike skill.
Subject: a tax archive after hours, candlelight, paper, no water and no snow.
The player is a clerk with a stamp-seal and a letter opener.
Areas: the ledger hall, the room of burning files, the vault of wax seals.
Rest at writing desks. Enemies wear ink-stained coats.
Walk into each area and confirm the name banner.

Use the voxel-fluid-sandbox skill.
Subject: a tide-pool island.
Fluids: seawater and hot vent water. Where they meet, the block becomes basalt.
Every few minutes the tide rises. Include a hotbar, reflective water, and a full day-night cycle.

Use the voxel-fluid-sandbox skill.
Subject: a candy factory at night, indoors, no sky island.
Fluids: melted chocolate and cold milk. Where they meet, the block becomes fudge you can mine.
Every few minutes a mixer overflows. Hotbar of candy blocks. The chocolate glows. A day-night cycle shows through the factory windows only.

Use the voxel-fluid-sandbox skill.
Subject: a camp on a glacier, white and nearly featureless.
Fluids: meltwater and lamp oil. Where they meet, the oil becomes a solid tar crust.
Every few minutes a crevasse opens and widens. Hotbar of ice, snow, and tar. The oil burns as a light source at night. Full day-night cycle, long blue twilight.

Use the procedural-blender-scene skill.
Subject: a glasshouse on a hill at blue hour, with a storm arriving.
Hero title: GLASSHOUSE.
Procedural geometry and materials only. Clay screenshot after each step, then a final render.

Use the procedural-blender-scene skill.
Subject: a single noodle stall on an empty street, rain, a puddle, a neon sign the size of a door. No cliff, no lighthouse, no storm heroics.
Hero title: MIDNIGHT BROTH.
Procedural geometry and materials only. Clay screenshot after each step, then a final render. Keep the camera close enough to read the bowls.

Use the procedural-blender-scene skill.
Subject: an open-pit mine at harsh noon. White dust, one haul truck, no rain and no sunset.
Hero title: BENCH 7.
Procedural geometry and materials only. Clay screenshot after each step, then a final render.

Use the pure-code-pixel-actor skill.
Subject: a keeper on a pier at night.
Loop: idle and blink, raise a lantern, then the beam sweeps the water.
Fixed 24-color palette. No sprite sheet. Count the colors on a screenshot.

Use the pure-code-pixel-actor skill.
Subject: a sumo wrestler in a dohyo, afternoon, warm wood, a small crowd.
Loop: idle and breathe, throw a handful of salt, then a slap that shakes the ring.
Fixed 24-color palette. No sprite sheet. Daylight, not a night sky. Count the colors on a screenshot.

Use the pure-code-pixel-actor skill.
Subject: an anglerfish in black water. The set is darkness plus a few specks.
Loop: drift and blink, the lure brightens, then the jaws open and shake the frame.
Fixed 16-color palette, mostly black. No sprite sheet. Count the colors on a screenshot.

Use the coded-artifact-game skill.
Subject: the Voyager Golden Record, assembled in a clean room in 1977.
The player mounts the images and the stylus. Captions must use real dates and contents.
End on the probe past Saturn, the record on the hull. No network requests after load.

Use the coded-artifact-game skill.
Subject: the Phaistos disc, found in a dig on Crete in harsh noon light.
The player brushes dust and matches stamp-signs around the spiral.
Captions must say what is known and must say that the text is not deciphered. Do not invent a translation.
End with the disc in a museum case at night. No network requests after load.

Use the coded-artifact-game skill.
Subject: a violin in an early-18th-century Cremona workshop, candlelight, one bench.
The player fits the bass bar and the soundpost. The puzzle is heard: the tone changes when the post moves.
Captions use real shop practice and do not claim a secret varnish formula.
End in the same room, silent, the violin on the bench. No network requests after load.

Use the browser-arcade-racer skill.
Subject: delivery bicycles through a night market.
Eight original riders with stat bars. Three tracks with title cards.
Item crates with a boost and one other effect. Finish a race and show lap times.

Use the browser-arcade-racer skill.
Subject: iceboats on a frozen lake at dawn. Wide, white, almost no buildings.
Eight original skippers. Three tracks: open ice, a field of fishing holes, a narrowing lead of black water.
Hazards are cracks, not barriers. Item crates: a gust and a drag anchor. Finish a race and show lap times.
Invent the names. No trademarked characters.

Use the browser-arcade-racer skill.
Subject: office chairs raced through a carpeted convention center. Fluorescent light, no outdoors.
Eight original coworkers. Three tracks: the exhibit hall, the escalators, the loading dock.
Item crates: a coffee spill that speeds you up, and a stack of lanyards that slows whoever is ahead.
Finish a race and show lap times. Invent the names. No trademarked characters.

Use the sketch-to-rigid-body skill.
Subject: the pencil sketch at sketch/crane.jpg, a harbor crane.
A crate hangs from the cable. Sliders for crate mass and cable friction.
A button removes the main pin. The fall comes from the solver, not from an animation.
At the default sliders the crate crosses. With the pin removed, the crane falls.

Use the sketch-to-rigid-body skill.
Subject: the pencil sketch at sketch/chair.jpg, a wooden kitchen chair. Small, domestic, on the desk.
A heavy book is set on the seat. Sliders for book mass and joint friction.
A button pulls one dowel. With the dowel in, the chair holds the book. With it out, the chair folds from the solver.
Do not keyframe the fold.

Use the sketch-to-rigid-body skill.
Subject: the pencil sketch at sketch/well.jpg, a spiral stone stair inside a well.
A bucket hangs on a rope beside the stair. Sliders for bucket mass and block friction.
A button removes one tread. With every tread in, the bucket can be lowered past the stair. With the tread gone, the spiral drops from the solver.
Do not keyframe the drop.

Use the local-multiplayer-sim skill.
Subject: sit-down floor buffers in a hotel lobby after a party.
Confetti keeps drifting back onto cleared tile.
Minimap, chat, join with ?name=. Write a README.
Test with two windows. A cleared patch in one window appears in the other in under a second.

Use the local-multiplayer-sim skill.
Subject: heated carts in an apple orchard at dawn, in front of a cider barn.
The carts melt frost off the grass in dark lanes. Frost creeps back.
The player's hands hold the tiller and a pruning lamp, not a drink.
Minimap, chat, join with ?name=. Write a README.
Test with two windows. A melted lane in one window appears in the other in under a second.

Use the local-multiplayer-sim skill.
Subject: brine trucks on a salt flat at noon. The landmark is a half-buried airliner, not a hotel.
The trucks lay dark wet roads. The salt dries white again.
Minimap, chat, join with ?name=. Write a README. No mouse-look, so two windows can sit side by side.
Test with two windows. A wet road in one window appears in the other in under a second.

Use the glass-mosaic-film skill.
Subject: a harbor from noon to night, 80 seconds.
Figures: gulls, a ferry, lanterns. Each one breaks into tiles and forms again.
One HTML file. WebGL2. No libraries and no images.

Use the glass-mosaic-film skill.
Subject: a kitchen table during one argument, 80 seconds. No sky, no harbor, no season.
The light goes from afternoon to a single lamp.
Figures: two cups, a torn letter, two hands. Each breaks into tiles and forms again.
One HTML file. WebGL2. No libraries and no images.

Use the glass-mosaic-film skill.
Subject: a coral reef that bleaches and then slowly takes color back, 80 seconds, underwater.
Figures: a parrotfish, a turtle, a branching coral. Each breaks into tiles and forms again.
Background tiles lose their color at mid-film and regain it at the end.
One HTML file. WebGL2. No libraries and no images.

Use the marker-sketchbook skill.
Photos in photos/ are a hospital night shift: corridors, a vending machine, faces under fluorescent light.
If the folder is missing or the pictures are a different trip, ask before you draw.
Redraw each one in canvas as flat acrylic-marker art. Do not call an image model.
Keep every person recognizable, including anyone small in the frame.
Original photo as a small print in the corner. Caption from the file name.
Page curl on drag and on the arrow keys.

Use the marker-sketchbook skill.
Photos in photos/ are a livestock auction at noon: dust, hats, cattle, a crowded rail.
If the folder is missing or the pictures are a different trip, ask before you draw.
Redraw each one in canvas as flat acrylic-marker art. Do not call an image model.
The crowd has to stay a crowd. Do not melt distant people into texture.
Original photo as a small print in the corner. Caption from the file name.
Page curl on drag and on the arrow keys.

Use the marker-sketchbook skill.
Photos in photos/ are an empty winter ferry: the cafeteria, the car deck, one horizon, at most one person per photo.
If the folder is missing or the pictures are a different trip, ask before you draw.
Redraw each one in canvas as flat acrylic-marker art. Do not call an image model.
Leave the empty space empty. Do not invent a crowd.
Original photo as a small print in the corner. Caption from the file name.
Page curl on drag and on the arrow keys.

Use the sand-table-film skill.
Subject: the history of flight, 1903 to 1969, two minutes.
Scenes a viewer can tell apart as silhouettes: the Wright flyer, a barnstormer, a DC-3, a jet airliner, Apollo 11.
Serif year and subtitle, top left, years ascending.
Score for brass and snare, composed in code, no audio file. Listen before you finish.

Use the sand-table-film skill.
Subject: one river from 1900 to 2020, two minutes. No armies and no aircraft.
Scenes: a free channel, a steamboat, a dam, a fish ladder, a dry summer bed.
Serif year and subtitle, top left, years ascending.
Score for solo flute and a low drum, composed in code, no audio file. Listen before you finish.

Use the sand-table-film skill.
Subject: smallpox, from Jenner's lancet in 1796 to eradication in 1980, two minutes.
Scenes: a lancet and an arm, a crowded ward, a vaccination line, an empty ward, the year of the last natural case.
Serif year and subtitle, top left, years ascending. Dates must be real.
Score for a pump organ, composed in code, no audio file. Listen before you finish.